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Programme
GEORGES BIZET
Chanson d’avril
CÉSAR FRANCK
Nocturne
CAMILLE SAINT-SAËNS
Danse macabre
EMMANUEL CHABRIER
Les Cigales
ALFRED BACHELET
Chère nuit
HENRI DUPARC
Au Pays où se fait la guerre
MAURICE RAVEL
Le Paon
ANDRÉ CAPLET
Le Corbeau et le Renard
ALBERT ROUSSEL
Réponse d’une épouse sage
CLAUDE DEBUSSY
Colloque sentimental
GABRIEL FAURÉ
Vocalise-Étude
ARTHUR HONEGGER
Chansons des sirènes
MANUEL ROSENTHAL
La Souris d’Angleterre
FRANCIS POULENC
La Dame de Monte-Carlo
REYNALDO HAHN
A Chloris
- Malcolm Martineau piano
- Susan Graham mezzo-soprano
Alfred Bachelet, Henri Duparc, Maurice Ravel, Camille Saint-Saëns, André Caplet, Albert Roussel, Arthur Honegger,… Often these composers’ works for solo voice are overlooked in favor of flashier works like opera airs, popular music, or German Lieder. And yet the French musical tradition embodied in their work—the literary quality of the poems they set, the special vocal approach required by the 20th century idiom in which they wrote—gave birth to true masterpieces.
Highlights in this unusual concert included the delightfully morbid Danse macabre, the eventual leitmotif of the 1920s, as well as music by the Group of Six, whose works were described by the heroin Bérénice of Louis Aragon’s 1944 novel Aurélien as “comical.”