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Teodor Currentzis est né en Grèce, où il débute ses études musicales. En 1994, il entre au Conservatoire d’État de Saint-Pétersbourg pour étudier avec le légendaire professeur Ilya Musin.
Avec ses ensembles, Teodor Currentzis effectue régulièrement des tournées en Europe et dans le monde, se produisant dans de nombreuses salles prestigieuses telles que le Konzerthaus de Vienne, la Philharmonie de Berlin, l’Elbphilharmonie de Hambourg, la Philharmonie de Munich, la Philharmonie de Paris, la Kölner Philharmonie, l’Auditorio Nacional, le Festspielhaus de Baden-Baden et la Scala de Milan. En tant que chef d’orchestre et directeur musical, Teodor Currentzis a travaillé avec les plus grandes maisons d’opéra, notamment l’Opéra de Paris, le Bayerische Staatsoper, l’Opernhaus Zürich, le Teatro Real et le Théâtre Bolchoï.
Il a également collaboré avec les figures clés du théâtre occidental moderne : Robert Wilson, Romeo Castellucci, Peter Sellars, Dmitri Tcherniakov, Theodoros Terzopoulos, etc. Teodor Currentzis est artiste résident au festival de Salzbourg ainsi qu’au festival RUHRtriennale, aux festivals de Lucerne et d’Aix-en-Provence.
Les œuvres de Mozart, Mahler, Beethoven, Tchaïkovski, Rameau et Stravinsky publiées par Teodor Currentzis sous le label Sony Classical ont reçu de nombreuses récompenses musicales internationales : ECHO Klassik, Edison Klassiek, Japanese Record Academy Award et BBC Music Magazine’s Opera Award. Teodor Currentzis a reçu le prestigieux prix KAIROS de la Fondation Toepfer. Il a également été décoré de l’Ordre grec du Phénix et du prix international Musikfest Bremen.
After ten years since the victory in the 15th International Chopin Piano Competition in Warsaw in 2005 he has achieved a position of the truly world-famous artist. His outstanding talent has been appreciated by the audiences of Europe, America, Asia, by music critics, great conductors and famous symphony orchestras, record producers, managers and artistic agencies organizing concerts in the most famous concert halls and in the largest music centres.
Last ten years of Rafał Blechacz’s career was filled with the solo recitals as well as concerts performed with the symphony orchestras. First of all however, it was time of intensive work on expanding his repertoire. Winning the Grand Prix, the Gold Medal and all of the other awards possible, namely for the best performance of mazurkas, polonaise, concerto, sonata (the latter founded by Krystian Zimerman) and also the audience award he unquestionably has been recognized as his generation’s greatest performer of Chopin’s works.
In such a role the international audiences wanted to hear and know him better as he never lets them down being able to win people over and gain their affection and appreciation. To meet these demands the young artist embarks on numerous and often long artistic tours. After all, the title of the Chopin Piano Competition Winner carries the meaning and importance. Everyone everywhere would like to listen to him and experience a talent of someone who amidst tough rivalry before distinguished jury proved to be the best one. One can only mention here that the young Polish pianist was definitely head and shoulders above the large and strong – as it is always the case in Warsaw – group of competitors. To emphasize his superiority the jury has not awarded the second prize but only the third and subsequent ones.
The aforementioned artist’s intensive work on developing his repertoire refers of course to Chopin but it is hard to imagine that the pianist of such a rank would not perform works by other composers. Therefore his repertoire is being continuously enlarged with works by Bach, Mozart, Beethoven, Liszt, Brahms, Debussy and Szymanowski. From among them the programs of the artist’s albums recorded and released by Deutsche Grammophon (currently five) have been selected.
The American Gilmore Artist Award, sometimes called ”the Piano Nobel,” bestowed on Rafal Blechacz in January 2014, is a strong and meaningful acknowledgment that summarizes well the last decade of his artistic activity.
Rafał Blechacz was born in 1985 in Nakło nad Notecią. He started playing piano at the age of five. He studied in the Artur Rubinstein State Primary School of Music in Bydgoszcz under the supervision of Professor Jacek Polański. In 2007 he completed the piano studies in the Academy of Music in Bydgoszcz in class of Professor Katarzyna Popowa-Zydroń. Still a student, he received many awards and honours such as the 1st Prize and Grand Prix in the 13th Johann Sebastian Bach National Competition in Gorzów Wielkopolski (1996), the 2nd Prize in the 5th Artur Rubinstein International Competition for Young Pianists in Bydgoszcz (2002), the victory in the 5th International Piano Competition in Hamamatsu, Japan (2003).
As the winner of the Grand Prix of the 15th Chopin Piano Competition he started concertizing in the most prestigious venues such as Concertgebouw in Amsterdam, Musikverein in Vienna, Berliner Philharmonie, Alte Oper in Frankfurt, Herkulessaal in Munich, Salle Pleyel in Paris, the Royal Festival Hall as well as the Wigmore Hall in London, Tonhalle in Zurich, La Scala in Milan, among others. He is being invited to the best music festivals such as Salzburg, Verbier in Switzerland, La Roque-d’Anthéron (France), Klavier-Festival Ruhr in Germany as well as The Gilmore Festival in the USA. He plays with numerous symphony orchestras, cooperating with outstanding conductors like Charles Dutoit, Valery Gergiev, Daniel Harding, Pavo Järvi, Fabio Luisi, Kent Nagono, Andris Nelsons, Victor Pablo Perez, Trevor Pinnock, Mikhail Pletnev, Jerzy Semkow, Antoni Wit and Dawid Zinman. In 2006 he signed an exclusive contract with Deutsche Grammophon, the German record company. He is the second in history, after Krystian Zimerman, Polish pianist signed up by this prestigious label.
Rafal Blechacz’s first album with Fryderyk Chopin’s Preludes appeared in 2007. In Poland it obtained the platinum status just in the second week of sale. It has been honoured with many awards, among others by German Echo Klassik and French Diapason d’Or. The next album, this time with sonatas of Haydn, Mozart and Beethoven, was released one year later and again it was received very well. After the success of the two first albums the artist celebrated the Chopin’s Year of 2010 with the recording of both Chopin’s Piano Concerts conducted by Jerzy Semkow and legendary Concertgebouw Orchestra, proclaimed in 2009 by the British magazine Gramophone the best orchestra of the world. This time the already third album of Rafał Blechacz was honoured with Preis der Deutschen Schallplattenkritik, the prestigious award of critics from Germany, Austria and Switzerland. In Poland it obtained the double platinum status in the short period of time. The next recording with works by Debussy and Szymanowski, due to a thoughtful selection of the repertoire, as well as masterful performance, gained significant publicity and recognition among the international music critics. In 2012 the Deutsche Phono Akademie awarded Blechacz the Echo Klassik prize in category of the Best Solo Album of the Year (19th and 20th century). Furthermore, this same recording was honoured as the Album of the Month by the British magazine Gramophone. It was also recognized with the Polish phonographic Fryderyk Award as the best classical music album of 2013. In the fall of 2013 Rafał Blechacz returned to Chopin’s repertoire recording his seven grand polonaises. This album obtained the gold record status on the first day of sale. Soon after, it was honoured with Preis der Deutschen Schallplattenkritik as the best album in the category Piano music (2013).
In July 2010 Rafał Blechacz received the Premio Internazionale Accademia Musicale Chigiana (Siena) award for his overall artistic achievements bestowed on him by the international jury of music critics. In January 2014 in New York he was pronounced the winner of The Gilmore 2014 award, highly valued in the piano world, conferred every four years on the most outstanding artist to provide financial support for advancing his/her artistic career.
On February 24, 2015 in Warsaw during the concert in the Warsaw Philharmonic Rafal Blechacz received the President of the Republic of Poland’s medal Cavalier’s Cross of the Order of Polonia Restituta awarded during the concert at the National Philharmonic.
In the 21/22 season, Antoine Tamestit was able to showcase the breadth of his talents in residencies with the London Symphony Orchestra (Artist Portrait), Staatskapelle Dresden (Capell-Virtuos) and the Cologne Philharmonie (Porträtkünstler). In 22/23, he will be Artist-in-Residence at the Prague Spring Festival.
In recent seasons, Antoine has performed with orchestras including the Vienna Philharmonic, Boston Symphony, Bayerische Rundfunk, Orchestre de Paris, Czech Philharmonic, Orchestre National de France, Accademia Nazionale di Santa Cecilia, Chamber Orchestra of Europe, Mahler Chamber Orchestra or the Akademie Für Alte Musik Berlin among many others. He performs regularly with major conductors including Sir John Eliot Gardiner, Alan Gilbert, Daniel Harding, Paavo Järvi, Klaus Mäkelä, Yannick Nezet-Seguin, Sir Antonio Pappano, Kirill Petrenko, Sir Simon Rattle, Francois-Xavier Roth, and Christian Thielemann.
Antoine Tamestit was a founding member of Trio Zimmermann with Frank Peter Zimmermann and Christian Poltera. Together they have recorded a number of acclaimed CDs for BIS Records, including Bach’s Goldberg Variations in their own arrangement, and have played in Europe’s most famous concert halls and series. Other chamber music partners include Emmanuel Ax, Isabelle Faust, Martin Fröst, Leonidas Kavakos, Nikolai Lugansky, Yo-Yo Ma, Emmanuel Pahud, Francesco Piemontesi, Cédric Tiberghien, Yuja Wang, Jörg Widmann, Shai Wosner and the Ébène Quartet.
Among the most important world premieres by Antoine Tamestit are Jörg Widmann’s Viola Concerto, Thierry Escaich’s La Nuit des Chants, Bruno Mantovani’s Concerto for Two Violas with Tabea Zimmermann, as well as Gérard Tamestit’s Sakura and Olga Neuwirth’s Remnants of Songs and Weariness Heals Wounds.
Together with Nobuko Imai, Antoine Tamestit continues to be the co-artistic director of the Viola Space Festival in Japan for 10 years, focusing on the development of viola repertoire and a wide range of education programmes.
Antoine records regularly with Harmonia Mundi as he continues to expand his vibrant scope of discography. Of the many of his acclaimed albums, Round Midnight with Quatuor Ebène was recently crowned with Chamber Award 2022 by the coveted Gramophone Award. His recent releases include Johannes Brahms’s Sonatas for Viola and Piano with Cédric Tiberghien and a Telemann album with the Akademie für Alte Musik Berlin. His other most notable release was the Widmann Concerto, recorded with the Bavarian Radio Symphony Orchestra and Daniel Harding in February 2018. The recording was selected as Editor’s Choice in BBC Music Magazine and also won the Premier Award at the BBC Music Magazine Awards in 2019.
Born in Paris, Tamestit studied with Jean Sulem, Jesse Levine, and with Tabea Zimmermann. He was the recipient of several prizes including first prize at the William Primrose Competition in 2001, and the ARD International Music Competition in 2004 as well as being awarded the Credit Suisse Young Artist Award in 2008. In November 2022 he will receive the Paul-Hindemith-Preis of the City of Hanau.
Antoine Tamestit plays on the very first viola made by Antonio Stradivarius in 1672, generously loaned by the Habisreutinger Foundation.
La remarquable profondeur musicale, une sonorité claire et distincte, associée à une technique sans faille, font de Julien Quentin un artiste très demandé en tant que soliste et chambriste partout dans le monde. Né à Paris, le pianiste français a commencé ses études au Conservatoire de Genève, puis à l’Université d’Indiana et à la Juilliard School. Il a créé « Musica Litoralis », une série de concerts dans l’esprit des années folles qui connaît un succès croissant. Il explore régulièrement de nouvelles formes d’art et autres genres musicaux avec de nombreux artistes visuels, avec les pianistes Kelvin Sholar, Kaan Bulak et Francesco Tristano, ou encore les producteurs Adrien de Maublanc et Cesar Merveille dans des projets allant de l’improvisation à la musique électronique.
Née dans la région d’Iekaterinbourg en Russie, Maria Bayankina a été l’élève d’Evgenia Shevelyova à la Gnessin Russian Academy of Music. Un an avant de remporter le 1er Prix du concours de jeunes chanteurs russes The Future of Musical Theatre à Omsk en 2012, la soprano a été admise à l’Académie du Théâtre Mariinsky de Saint-Pétersbourg, lui permettant ainsi d’interpréter des opéras de Tchaïkovski (dont Tatiana dans Eugène Onéguine) et de Rimski-Korsakov, ainsi que le répertoire italien (rôles-titres d’Aida, de La traviata ou de La fanciulla del West). Au cours de la saison 2019-20, elle y a été titularisée soliste, et a effectué ses débuts au Théâtre Bolchoï de Moscou dans L’Idiot de Weinberg. Elle participe par ailleurs régulièrement au Festival de Pâques de Moscou.
Kent Nagano figure parmi les chefs d’orchestre les plus remarquables, tant dans le répertoire lyrique qu’orchestral. Il a connu ses premiers grands succès avec le Boston Symphony Orchestra en 1984, lorsque Messiaen l’a nommé assistant du chef d’orchestre Seiji Ozawa pour la première de son opéra Saint François d’Assise. Les nominations européennes ne tardent pas à suivre : Directeur musical de l’Opéra national de Lyon (1988-1998) et Directeur musical du Hallé Orchestra (1991-2000). Nagano est devenu le premier directeur musical de l’Opéra de Los Angeles en 2003, après avoir déjà occupé le poste de Premier Chef d’orchestre pendant deux ans. Depuis 2015, il est Directeur musical général de l’Opéra d’État de Hambourg et Chef d’orchestre principal du Philharmonisches Staatsorchester Hamburg et, de 2006 à 2020, il a été directeur musical de l’Orchestre symphonique de Montréal, dont il a été nommé Conductor Emeritus en 2021. Kent Nagano s’est produit pour la dernière fois au Verbier Festival en 2022