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Baritone David Roy is currently studying in the Solo Class of Marek Rzepka at the Hannover University of Music, Drama and Media, following his studies at the Feliks Nowowiejski Academy of Music in Bydgoszcz with Adam Zdunikowski. He has received several awards in international competitions, including First Prize at the Bogdan Paprocki Polish National Vocal Competition and the Imrich Godin International Vocal Competition IUVENTUS CANTI, as well as Second Prize at the Ada Sari International Vocal Artistry Competition (with no First Prize awarded) and the Ars et Gloria International Vocal Competition of Sacred Music. He recently made his house debut at the Royal Swedish Opera as Figaro (Il barbiere di Siviglia) and joined the Junges Ensemble at the Semperoper Dresden for the 2025/26 season.
Chinese lyric baritone Yu He began his vocal studies with Yan Chen and is currently pursuing a Master’s degree in opera at the Hochschule für Musik Carl Maria von Weber Dresden, where he studies with Lothar Odinius. He has taken part in masterclasses with John Norris, Neil Shicoff, Lucas Meachem, and Christiane Libor.
His stage appearances include Marcello (La bohème), Figaro (Le nozze di Figaro), and Professor Huber in Udo Zimmermann’s Die weiße Rose. In 2024 and 2025, he performed at Theater Meißen.
He was awarded a prize at the Hilde Zadek Singing Competition in 2025 and received the Wagner Stipendium in 2026. In the 2025/26 season, his engagements include Ändere die Welt!, Dialogues des Carmélites, and Madama Butterfly.
Johannes Kammler is one of the most sought-after baritones of his generation, celebrated for his stylistic versatility and captivating presence on opera, concert, and recital stages worldwide, from Canada and Europe to Korea. He made his breakthrough at the Salzburg Festival in 2018 with Der Prozess and has since performed at prestigious venues such as Staatsoper Stuttgart, Bavarian State Opera, Bregenz Festival, and Glyndebourne, in leading roles including Papageno, Conte, Marcello, and Guglielmo.
On the concert stage, he has been acclaimed in works such as Carmina Burana, Mahler’s Lieder eines fahrenden Gesellen, Brahms’ Requiem, and Beethoven’s Ninth Symphony, working with renowned conductors like Kirill Petrenko, Simon Rattle, and Gustavo Dudamel, and top orchestras including the Berlin Philharmonic and London Symphony Orchestra. A passionate recitalist, he regularly collaborates with distinguished pianists at venues like Wigmore Hall. Born in Augsburg, he studied in Freiburg, Toronto, and at the Guildhall School of Music & Drama in London, and is a prizewinner of major international competitions including Neue Stimmen and Operalia.
Baritone Konstantin Krimmel, of German-Romanian descent, began his musical training with the St. Georgs Chorknaben in Ulm and studied voice under Prof. Teru Yoshihara, graduating with distinction in 2020. He is currently mentored by Tobias Truniger in Munich.
Krimmel has a strong passion for Lieder and concert repertoire, having won numerous awards including the 2019 German Music Competition, first prize at the International Helmut Deutsch Lied Competition, second prize at the International ‘Das Lied’ Competition in Heidelberg, and the Gian Battista Viotti International Music Competition. He performs internationally at venues such as the Cologne Philharmonie, Deutsche Oper Berlin, Konzerthaus Berlin, Oper Frankfurt, Heidelberger Frühling, Wigmore Hall in London, and Lied festivals in Spain and Austria.
In oratorio, he has performed Brahms’ Requiem under Raphael Pichon, Bach’s Christmas Oratorio with the Nederlands Kamerkoor, and St. Matthew Passion with Philippe Herreweghe. From autumn 2021, he joined the Bavarian State Opera, performing roles in Strauss’ Ariadne auf Naxos (Harlekin), Britten’s Peter Grimes (Ned Keene), and Haas’ Thomas. Future engagements include major Mozart roles, including Figaro (Le nozze di Figaro). An exclusive artist with Alpha Records since 2019, he has released Handel’s Brockes-Passion and his first Lieder album Saga, praised for his interpretive depth and technical mastery.
British-Russian baritone Theodore Platt, celebrated for his ‘warm and powerful English baritone’ (Music OMH), is one of opera’s most promising young voices. A recent member of the Bayerische Staatsoper Opera Studio, he was awarded the prestigious Borletti-Buitoni Trust (BBT) Fellowship.
The 2024/25 season marks a new chapter for Theodore Platt, as he joins the ensemble of the Copenhagen Opera, marking a significant milestone in his career. In this capacity, he takes on several important roles, showcasing his versatility as a baritone across various operatic styles. These include his debut as Count Almaviva in Le nozze di Figaro, Lord Cecil in Maria Stuarda, and his debut as the titular character Figaro in Gioachino Rossini’s Il barbiere di Siviglia. Mr. Platt’s concert season includes an appearance at the Eppaner Liedsommer classical music festival in South Tyrol, Italy, where he will give a recital alongside pianist Keval Shah. Under the direction of Roberto Gonzales-Monjas, Theodore Platt performs Beethoven’s Symphony No. 9 at the Großes Festspielhaus in Salzburg.
Theodore Platt was featured on Jonathan Tetelman’s Deutsche Grammophon album ‘The Great Puccini,’ where he performed the role of Marcello in excerpts from La bohème. With the Culiner Creative Circle, Platt and Keval Shah produced audiovisual performances of Jean Sibelius’s ‘Var det en Dröm?’ and Samuel Barber’s ‘O boundless, boundless evening,’ intended for online release across various streaming platforms.
A sought-after concert artist, the baritone made his Wigmore Hall debut in 2019 as part of Graham Johnson’s Songmakers recital series. In 2021, he performed at the Oxford Lieder Festival and the Schubertiade Schwarzenberg. In 2018-19, Theodore Platt participated in the inaugural French Song Exchange at Wigmore Hall, working closely with Felicity Lott and François Le Roux, and culminating in recitals in London and Paris. In 2022, he returned to Wigmore Hall for a recital alongside Malcolm Martineau.
Platt is the grateful recipient of awards from the 64th Kathleen Ferrier Awards, the Veronica Dunne International Singing Competition, the Copenhagen Lied Duo Competition, the Lies Askonas Competition, and the Joan Chissell Schumann Competition. He also received the Thierry Mermod Prize at the Verbier Festival. In 2022, Theodore Platt and Keval Shah won first prize at the 13th International Art Song Competition Stuttgart. The duo performed works by Franz Schubert, Vivian Fung, Hugo Wolf, Frank Bridge, and Benjamin Britten.
Born in London, Mr. Platt studied music at St John’s College, Cambridge, and is an alumnus of the Verbier Festival Academy and the Royal College of Music Opera Studio. He participated in the Internationale Meistersinger Akademie (IMA), leading to performances with the Nuremberg Symphony Orchestra and a Schubert recital that was broadcast on BR-Klassik.
Baritone Yeongtaek Yang is in his first year with the Lindemann Young Artist Development Program at the Metropolitan Opera. In the Met’s 2024/25 season, he made his company debut as Marullo (Rigoletto) and appeared as the Second Nazarene (Salome). Recent engagements include covering Giorgio Germont (La Traviata) and the title role in Don Giovanni at Santa Fe Opera, and performing Gianni Schicchi at the Chautauqua Institution. His previous roles include the Forester (The Cunning Little Vixen) and Des Grieux (Le Portrait de Manon) at the Manhattan School of Music, as well as Don Giovanni at Seoul National University. Yeongtaek won First Prize in both the 2023 Opera Index Competition and the 2024 Gerda Lissner Foundation International Vocal Competition, and Second Prize in the 2024 Zachary Competition in Los Angeles. He holds degrees from Seoul National University and the Manhattan School of Music.
Russian baritone Anton Beliaev, a member of the Opera Studio of the Semperoper Dresden, is already performing on some of Europe’s leading opera stages. At the Semperoper, his roles include Papageno (Die Zauberflöte), Schaunard (La bohème), and Dr Falke (Die Fledermaus). Recent and upcoming engagements include La finta giardiniera at Theater an der Wien, Lucia di Lammermoor at Theater Basel, L’elisir d’amore at the Bregenzer Festspiele, and Le nozze di Figaro at the Glyndebourne Festival. In summer 2025, he performed the title role in Tchaikovsky’s Eugene Onegin at the Verbier Festival as part of the Academy’s Atelier Lyrique.
Baritone Lewei Wang, a native of Beijing, is currently in his third year as an undergraduate student at The Juilliard School, studying under Cynthia Hoffmann. Lewei has displayed his talent in various roles, including the Notary and the Chief of Police in Juilliard’s production of Gianni Schicchi and Amelia al Ballo. He has also been featured as a soloist with iSING and the Philadelphia Orchestra. Lewei recently made his Carnegie Hall debut as a soloist in the Chinese Young Artists Showcase Concert on October 8, 2023. This season, he has taken on the roles of the Narrator and Buff in Juilliard’s productions of I Due Timidi and Der Schauspieldirektor.
English baritone Redmond Sanders studied at the Guildhall School of Music and Drama in London, where he was a member of the Opera School and studied with Susan Waters, supported by the Countess of Munster Trust and the Drake Calleja Trust.
A finalist in the Guildhall Gold Medal Competition 2025 and semi-finalist in the Veronica Dunne International Singing Competition, he was also a member of the 2024 Atelier Lyrique at the Verbier Festival, where he received the Thierry Mermod Prize.
His operatic roles include Antonio in Le nozze di Figaro at the Verbier Festival, Corporal in The Daughter of the Regiment at Grange Park Opera, and a Cappadocian in Salome with the London Symphony Orchestra under Sir Antonio Pappano.
He has taken part in masterclasses with artists including Barbara Frittoli, Leo Nucci, Sir Thomas Allen, Sandrine Piau and Anne Sofie von Otter.
South Korea-born baritone Minki Hong is a Master’s Diploma student at The Juilliard School, where he studies with Kevin Short. He previously graduated from Seoul National University with a bachelor’s degree in 2022. While pursuing his studies in South Korea, Minki was honoured with a Hyundai Motor Chung Mong-Koo Foundation scholarship. He has also been awarded in both the Song and Aria division of the Gerda Lissner Competition and, earlier this year, won the Metropolitan Opera Laffont Competition Florida District and Third Prize in the South-East Region. Minki made his debut as Marco and as a cover of Gianni Schicchi in Gianni Schicchi at The Juilliard School. He also sang Masetto in Don Giovanni with Camerata Bardi International Academy. Starting this August, he continues his studies at Juilliard as an Artist Diploma student.