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Estonian Grammy Award-winning conductor Paavo Järvi is widely recognised as the musicians’ musician, enjoying close partnerships with the finest orchestras around the world. He serves as Chief Conductor of the Tonhalle Orchester-Zürich and the NHK Symphony Orchestra, Tokyo, and Artistic Director of Die Deutsche Kammerphilharmonie Bremen and the Estonian Festival Orchestra, of which he is also Founder. He is Conductor Laureate of the Frankfurt Radio Symphony, Music Director Laureate of Cincinnati Symphony Orchestra and Artistic Advisor of the Estonian National Symphony Orchestra.
In addition to his permanent positions, Järvi is much in demand as a guest conductor, regularly appearing with the Berliner Philharmoniker, London’s Philharmonia Orchestra, Münchner Philharmoniker, Staatskapelle Dresden and the Orchestre de Paris, where he served as Music Director from 2010 to 2016.
Each season concludes with a week of performances and conducting master-classes at the Pärnu Music Festival in Estonia, which Paavo Järvi founded in 2011 together with his father, Neeme Järvi. The success of both the festival and its resident ensemble – the Estonian Festival Orchestra – has led to a string of high profile invitations including recent performances at the BBC Proms, Hamburg Elbphilharmonie and a tour of Japan.
With an extensive discography, Paavo Järvi’s recent releases include an album of little known orchestral music by Messiaen with the Tonhalle Orchester-Zürich; the third and final volume in the Brahms Symphony cycle with Die Deutsche Kammerphilharmonie Bremen; and the world première recording of Erkki-Sven Tüür’s 9th Symphony Mythos with the Estonian Festival Orchestra.
In 2019 Paavo Järvi was named Conductor of the Year by Germany’s Opus Klassik and received the 2019 Rheingau Music Prize for his artistic achievements with The Deutsche Kammerphilharmoie Bremen in the German orchestral and cultural landscape. Other prizes and honours include a Grammy Award for his recording of Sibelius’ Cantatas with the Estonian National Symphony Orchestra, Artist of the Year by both Gramophone (UK) and Diapason (France) in 2015, and Commandeur de L’Ordre des Arts et des Lettres by the French Ministry of Culture for his contribution to music in France. As a dedicated supporter of Estonian culture, he was awarded the Order of the White Star by the President of Estonia in 2013 and in 2015 he was presented with the Sibelius Medal in recognition of his work in bringing the Finnish composer’s music to a wider public.
Born in Tallinn, Estonia, Paavo Järvi studied Percussion and Conducting at the Tallinn School of Music. In 1980, he moved to the USA where he continued his studies at the Curtis Institute of Music and at the Los Angeles Philharmonic Institute with Leonard Bernstein.
Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances.
In addition to working with renowned period ensembles, such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque, Suzuki is invited to conduct repertoire as diverse as Brahms, Britten, Fauré, Mahler, Mendelssohn and Stravinsky, with orchestras such as the Bavarian Radio, Danish National Radio, Gothenburg Symphony, New York Philharmonic, Orchestre Philharmonique de Radio France, San Francisco Symphony, Sydney Symphony and Yomiuri Nippon Symphony Orchestras. This season he visits the NDR Elbphilharmonie, NHK Symphony, Seattle Symphony and St. Louis Symphony Orchestras, amongst others.
Suzuki’s impressive discography on the BIS label, featuring all Bach’s major choral works as well as complete works for harpsichord, has brought him many critical plaudits – the Times has written: “it would take an iron bar not to be moved by his crispness, sobriety and spiritual vigour”. 2018 marked the triumphant conclusion of Bach Collegium Japan’s epic recording of the complete sacred and secular cantatas initiated in 1995 and comprising sixty-five volumes. The ensemble has now embarked upon extending their repertoire with recent recordings of works by Mozart (Requiem and Mass in C minor) and Beethoven (Missa Solemnis and Symphony No. 9).
Last season Bach Collegium Japan were invited to participate, as one of three ensembles, in the cantata cycle at Bachfest Leipzig, where they also gave a critically acclaimed performance of Mendelssohn’s Elias; their busy touring schedule also took them to the USA performing at venues including the Alice Tully Hall, New York and San Francisco’s Davies Symphony Hall. This season in Europe they embark upon their 30th anniversary tour including concerts in Brussels, Dublin, Hamburg, Köln, London, Madrid and Paris, amongst others.
Suzuki combines his conducting career with his work as an organist and harpsichordist; he is currently in the process of recording Bach’s solo works for these instruments. Born in Kobe, he graduated from the Tokyo University of Fine Arts and Music with a degree in composition and organ performance and went on to study at the Sweelinck Conservatory in Amsterdam under Ton Koopman and Piet Kee. Founder and Professor Emeritus of the early music department at the Tokyo University of the Arts, he was on the choral conducting faculty at the Yale School of Music and Yale Institute of Sacred Music from 2009 until 2013, where he remains affiliated as the principal guest conductor of Yale Schola Cantorum.
In 2012 Suzuki was awarded with the Leipzig Bach Medal and in 2013 the Royal Academy of Music Bach Prize. In April 2001, he was decorated with ‘Das Verdienstkreuz am Bande des Verdienstordens der Bundesrepublik’ from Germany.
James Gaffigan’s natural ease and compelling musicianship put him in high demand with orchestras (Los Angeles Philharmonic, Zurich Tonhalle, Royal Concertgebouw Orchestra, Orchestre de Paris…) and opera houses (New York Metropolitan Opera, Munich Bayerische Staatsoper, Wiener Staatsoper, Zurich Opernhaus…) around the world. In 2004, he was Assistant Conductor of the Cleveland Orchestra under Franz Welser-Möst, and the same year he won the First Prize of the Sir Georg Solti International Competition. In addition to his outstanding conducting of operas by Mozart, Rossini, Puccini and Strauss, the American conductor has also contributed to the international reputation of the Luzerner Sinfonieorchester, where he has just concluded his tenure as Principal Conductor. Since 2021, James Gaffigan is the Music Director of the Verbier Festival Junior Orchestra and was recently named Music Director of Komische Oper Berlin from the 2023/24 season for four seasons.
Over the past decade, Jaap van Zweden has been an international presence on three continents. Currently, he is Music Director of the New York Philharmonic, a post he began in 2018, and Music Director of the Hong Kong Philharmonic since 2012.
Van Zweden has appeared as guest conductor with many other leading orchestras around the globe, among them the Orchestre de Paris, Amsterdam’s Royal Concertgebouw Orchestra, Leipzig Gewandhausorchester, Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, Vienna and Berlin Philharmonics, and the London Symphony Orchestra.
Jaap van Zweden has made numerous acclaimed recordings, the most recent of which are a 2020 release with the New York Philharmonic of the World Premiere of David Lang’s prisoner of the state, and the 2019 release of the World Premiere of Julia Wolfe’s Fire in my mouth, continuing the Philharmonic’s partnership with Decca Gold. In 2018 with the Hong Kong Philharmonic, he completed a four-year project conducting the first-ever performances in Hong Kong of Wagner’s Der Ring des Nibelungen, which have been recorded and released on Naxos Records as individual recordings as well as a complete set. His highly praised performances of Lohengrin, Die Meistersinger and Parsifal, the latter of which earned Jaap van Zweden the prestigious Edison Award for Best Opera Recording in 2012, are available on CD/DVD.
Born in Amsterdam, Jaap van Zweden was appointed at age nineteen as the youngest-ever concertmaster of the Royal Concertgebouw Orchestra. He began his conducting career nearly twenty years later in 1996. He remains Honorary Chief Conductor of the Netherlands Radio Philharmonic where he served as Chief Conductor from 2005-2013, served as Chief Conductor of the Royal Flanders Orchestra from 2008-11, and was Music Director from 2008-2018 of the Dallas Symphony Orchestra where he currently holds the title Conductor Laureate. Van Zweden was named Musical America’s 2012 Conductor of the Year and was the subject of an October 2018 CBS 60 Minutes profile. Recently, he was awarded the prestigious 2020 Concertgebouw Prize, and the Hong Kong Philharmonic under Jaap van Zweden’s leadership was named Gramophone’s 2019 Orchestra of the Year.
In 1997, Jaap van Zweden and his wife Aaltje established the Papageno Foundation, the objective being to support families of children with autism. Now, over 20 years later, the Foundation has grown into a multi-faceted organization which, through various initiatives and activities, focuses on the development of children and young adults with autism. The Foundation provides in-home music therapy to children through a national network of qualified music therapists in the Netherlands; opened the Papageno House in August 2015 (with Her Majesty Queen Maxima in attendance) for young adults with autism to live, work and participate in the community; created a research center at the Papageno House for early diagnosis and treatment of autism and for analyzing the effects of music therapy on autism; develops funding opportunities to support autism programs; and launched the app, TEAMPapageno, which allows children with autism to communicate with each other through music composition.
Klaus Hellwig first came to international attention after winning prizes at the “Marguérite Long – Jacques Thibaud” competition in Paris and the “Viotti” competition in Vercelli/Italy.
He studied with Detlef Kraus, Pierre Sancan (Paris), Guido Agosti (Accademia Chigiana Siena) and Wilhelm Kempff.
He has given concerts throughout Europe, the United States and Canada, Australia, Brazil, the Middle-East, and the Far East. He has appeared as soloist with important orchestras, such as the Deutsches Symphonie Orchester Berlin (formerly Radio Symphony Orchestra Berlin), the West German Radio Orchestra Cologne, the Bavarian Radio Orchestra Munich, among many other German orchestras; the Hungarian Radio Orchestra Budapest, the Bucharest and Cracow Philharmonic Orchestras; the Baltimore and San Francisco Symphonies, among many others in America; and several Japanese and Korean orchestras.
Klaus Hellwig’s chamber music partners have included the Philharmonic Octet and the principal wind players of the Berlin Philharmonic Orchestra, the Cleveland Orchestra’s Octet, and the violinists Christiane Edinger and Young-Uck Kim. In addition, he has performed extensively with pianist Mi-Joo Lee as a piano duo.
Klaus Hellwig has recorded for all German radio stations, and for many others abroad. He appears on more than 25 records; the latest releases were the four concerti by Carl Reinecke.
After ten years as a professor at the Folkwang-Hochschule Essen, Klaus Hellwig began teaching in 1980 at the Berlin University of the Arts. He has given masterclasses in Germany, France, the Ukraine, Rumania, Japan, Korea, Brazil, Australia, and the USA.
He has served as a jury member in many international competitions, such as the Tchaikovsky Competition in Moscow, the Leeds, the ARD competition in Munich (solo and piano duo), the “Busoni” in Bolzano, the Vienna Beethoven competition, the Dublin, the “Viotti” in Vercelli/Italy, the “Robert Schumann” in Zwickau, the “William Kapell” at the University of Maryland, “José Iturbi” in Valencia, the Seoul “Dong-A”, and the Sendai (Japan) competition; others include those in Monza, Seregno, and Orléans.
Meanwhile, his students continue to garner top honors at major international competitions, including first prizes at the Queen Elizabeth, Gina Bachauer, Schumann Competitions.
With an innate musical sensitivity and naturalness to his artistry, 24-year old pianist Mao Fujita has already impressed many leading musicians as one of those special talents which come along only rarely, equally at home in Mozart as the major romantic repertoire.
Born in Tokyo, Fujita was still studying at the Tokyo College of Music in 2017 when he took First Prize at the prestigious Concours International de Piano Clara Haskil in Switzerland, along with the Audience Award, Prix Modern Times, and the Prix Coup de Coeur, which first brought him to the attention of the international music community. He was also the Silver Medalist at the 2019 Tchaikovsky Competition in Moscow, where his special musical qualities received exceptional attention from a jury of leading musicians.
Fujita has been invited to appear in recital at major international festivals including the Klavier-Festival Ruhr, Tsinandali and Riga-Jurmala festivals, among others, and he makes his highly-anticipated US recital debut at Carnegie Hall in January 2023. Recent and upcoming orchestral highlights include performances with the Gewandhausorchester, Munich Philharmonic, Royal Philharmonic, Royal Concertgebouw, Philharmonique de Radio France, Konzerthaus Berlin, Yomiuri Nippon Symphony, Tokyo Metropolitan Symphony, Israel Philharmonic, RAI, Filarmonica della Scala, and Lucerne Festival orchestras, while his many conductor relationships include Vasily Petrenko, Christoph Eschenbach, Riccardo Chailly, and Andris Nelsons.
In November 2021, Fujita signed an exclusive multi-album deal with Sony Classical International. The new partnership sees him explore many facets of repertoire across several releases, starting with an eagerly-anticipated studio recording of Mozart’s complete piano sonatas, which is due for release in October 2022, following an acclaimed series of performances of the complete sonatas at the Verbier Festival in 2021. Fujita has been invited to perform the same set of works, interspersed with sets of Variations, over five concerts for his debut at London’s Wigmore Hall at the end of the 22/23 season.
Starting piano lessons at the age of three, Fujita won his first international prize in 2010 at the World Classic in Taiwan, and became a laureate of numerous national and international competitions such as the Rosario Marciano International Piano Competition in Vienna (2013), Zhuhai International Mozart Competition for Young Musicians (2015), and the Gina Bachauer International Young Artists Piano Competition (2016). Mao Fujita is moving to Berlin for further studies with Kirill Gerstein.
The multi-award-winning clarinetist Alexander Bedenko is one of the most prolific artists of his generation and has performed with major conductors of leading orchestras, ensembles and festivals in the United States, Europe and Asia.
Born in Ukraine, into a family of musicians, Alexander Bedenko graduated from the prestigious Curtis Institute of Music in Philadelphia, where he studied clarinet with Donald Montanaro and chamber music with Pamela Frank, Peter Wiley and Joseph Silverstein.
Alexander Bedenko has won first prizes at the || Moscow International Young Artist’s Competition in 1994, the Interlochen Center for the Arts “Concerto Competition” (1995-1996), the Grand-Prix and Laureate at the International Selmer Clarinet Competition in Kiev, (1999) and was a recipient scholarship of the “New Names” Charity Foundation, Vladimir Spivakov’s Foundation and the named scholarship of The President of Ukraine, from (1997-1999).
In the past seasons, Alexander Bedenko has appeared in such recital venues as the Carnegie’s Weill recital Hall, the Metropolitan Museum of Art, the Steinway Hall in New York City, the Chicago Cultural Center, the Kennedy Center in Washington, D.C, the Great Hall at Moscow Conservatory and UNESCO in Paris. He has collaborated with world-renowned artists such as Vladimir Spivakov, Christoph Eschenbach, Nikolai Lugansky, Elena Bashkirova, Kirill Gernstein, Itamar Golan, Daniel Hope, Dmitry Sitkovetsky, Frans Helmerson, Nobuko Imai, Eugenia Zukerman, Maxim Rysanov, Gautier Capucon and worked with the Borodin, Jerusalem, Ying, Alma, Endellion and Orion string quartets.
Alexander Bedenko has also performed as a soloist with Kremlin Chamber Orchestra, Romanian National Radio Orchestra, the National Orchestra of Ukraine, the Moscow Virtuosi Chamber Orchestra and appearanced at the Colmar, Verbier, Spoleto, Sarasota, Miami and Schubertiade music festivals.
Mr. Bedenko has also been broadcast on television in France, Sweden, Romania, Russia, Ukraine and has been featured on RAI Radio Classica, on WQXR Radio (New York), WRTI Radio (Philadelphia), and the “Voice of America” in Washington D.C.
In 2007, Alexander Bedenko appeared together with Richard Stoltzman on a recording of the music of J.S. Bach for the RCA/BMG Japan label.
As an orchestra musician, Mr. Bedenko was invited by Riccardo Muti to perform as principal clarinet on a highly acclaimed European tour with the Chicago Symphony Orchestra (in 2014) and has also performed as guest principal clarinet with the London Symphony Orchestra, both at the Barbican Centre and on tour in Germany under the baton of Daniel Harding, with the Philharmonia Orchestra (London) and with the Cleveland Orchestra under the baton of Franz Welser Most.
From (2008 – 2018) Alexander Bedenko has served as a co-principal clarinetist with the Verbier Festival Chamber Orchestra, directed by Gabor Takacs-Nagy.
Alexander Bedenko plays on Selmer Signature clarinets and became Selmer Paris Artist in 2015, as well as D’Addario woodwinds Artist in 2019.
Timothy Chooi is a Canadian violinist whose international career has continued to expand since being named a Prix Yves Paternot laureate at the Verbier Festival. In recent seasons, he has appeared with major orchestras across Europe, North America, and Asia, and in the 2025/26 season makes major appearances with the NHK Symphony Orchestra and Tokyo Symphony Orchestra. He also undertakes an extensive European tour with the Prague Radio Symphony Orchestra, performing across Germany, Austria, France, Belgium, the Netherlands, and the Czech Republic. Alongside his concerto activity, he has returned regularly to the Verbier Festival for chamber-music projects and has appeared as a guest at the Verbier Festival at Schloss Elmau. Further highlights include his appointment as Artistic Partner of the Wiener Concert-Verein for the 2025/26 season, with performances at the Musikverein Wien..
Gerhard Schulz studied with Franz Samohyl in Vienna, Sándor Végh in Düsseldorf, and Shmuel Ashkenasi in the USA. He was a founding member of the Salzburg String Trio, the Schulz Ensemble, and the first violinist of the Düsseldorf String Quartet.
As a member of the world-renowned Alban Berg Quartet, he performed regularly for over 30 years in the most important music centers around the world. As an exclusive artist with EMI, the quartet recorded a large portion of the string quartet repertoire and was awarded numerous prizes for its work. After the Alban Berg Quartet concluded its concert activities in the summer of 2008, Gerhard Schulz founded the Waldstein Ensemble (Piano Quartet). In November 2009, he debuted as a conductor with the Copenhagen Philharmonic Orchestra and continues to equally enjoy performing on stage and working with his students. Since 1980, Gerhard Schulz has been a professor of violin at the Universität für Musik und darstellende Kunst in Vienna and since 1993, a guest professor of chamber music at the Hochschule für Musik Köln.
Hungarian violinist Kristóf Baráti is recognised increasingly across the globe as a musician of extraordinary quality with a vast expressive range and impeccable technique. In 2014, at the age of 35, Baráti was awarded Hungary’s highest cultural award, the Kossuth Prize, following in the footsteps of revered Hungarian artists such as András Schiff, György Ligeti and Iván Fischer. Applauded repeatedly for the poetry and eloquence that he brings to his playing, he has been described as “a true tonal aesthete of the highest order”.
In recent seasons, Baráti has performed at the Hollywood Bowl with the Los Angeles Philharmonic, at London’s Royal Festival Hall with the London Philharmonic Orchestra and in 2019 he was the featured soloist in the opening concert of the Verbier Festival. Baráti has played with orchestras such as Zurich Tonhalle, Oslo Philharmonic, Orchestre National de France, ORF Vienna Radio Symphony, BBC Scottish Symphony, BBC Philharmonic and Hague Philharmonic orchestras. He performs regularly with Gergiev and the Mariinsky Orchestra both in Russia and on tour around the world including in the US and China. Highlights of his 19/20 season include debuts with the Orchestre Symphonique de Montreal, Hallé Orchestra, Haydn Orchestra and at Zarydye Hall with the Moscow State Symphony Orchestra.
A regular recital and chamber music player, Baráti has performed with partners such as Mischa Maisky, Bashmet, Pace, Bavouzet, Kocsis and Kashkashian amongst others. He performs every year at the White Nights Festival and in 2019 made his debut at the Seattle Chamber Music and Aspen Festivals. In 2016 he made a sensational debut at the Verbier Festival when he performed the complete solo Sonatas and Partitas of Bach, and has since been back every year. Recital highlights in 2019/20 include a tour of North America including performances in New York City and Washington and his debut at Mexico’s International Festival Cervantino.
Baráti has an extensive discography which includes the five Mozart concerti, the complete Beethoven and Brahms sonatas with Klára Würtz, and Ysaÿe solo sonatas for Brilliant Classics, and Bach’s Sonatas and Partitas for Solo violin on the Berlin Classics label. Of his disc of encores “The Soul of Lady Harmsworth” recorded in 2016, Gramophone magazine said “for those who like to hear the violin played at its sweet and acrobatic best, then Baráti is out of the top drawer.”
Having spent much of his childhood in Venezuela, where he played as soloist with many of the country’s leading orchestras, Baráti returned to Budapest to study at the Franz Liszt Academy of Music and was later mentored by Eduard Wulfson, himself a student of Milstein and Menuhin. Still resident in Budapest, Baráti performs regularly across Hungary and together with István Vardái, Baráti is Artistic Director of the Kaposvár International Chamber Music Festival. Baráti plays the 1703 “Lady Harmsworth” Stradivarius, by kind arrangement with the Stradivarius Society of Chicago.
source: https://kristofbarati.com/about/