ZIYU SHAO
Let the celebrations begin! At just 16, pianist Ziyu Shao presents a programme of formidable virtuosity. Three pieces in a single movement (Beethoven, Liszt, Scriabin), like three rivers of music carrying impressive technical demands. As a grand finale, an arrangement of Tchaikovsky’s The Sleeping Beauty in which the keyboard takes on the colours of an orchestra.
Programme
LUDWIG VAN BEETHOVEN (1770-1827)
Fantasia in G minor Op. 77
FRANZ LISZT (1811-1886)
Après une lecture du Dante: Fantasia quasi Sonata S. 161/7
ALEXANDER SCRIABIN (1872-1915)
Fantasy in B minor Op. 28
PYOTR ILYICH TCHAIKOVSKY (1840-1893)
The Sleeping Beauty Op. 66 (arr. M. Pletnev)
Concert without interval
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In 2026, the French critic Alain Cochard ended his review of Ziyu Shao’s Fantasia Op. 77, heard at the International Piano Festival of La Roque d’Anthéron, with these words: ‘The maturity, the density of sound, the vitality and the assurance with which he takes hold of this piece, too rarely programmed, command admiration – only 16… We cannot wait to hear him in a full programme’. It has now come to pass at the Verbier Festival, where this pupil of Moscow’s Gnessin School and of Rena Shereshevskaya opens his recital with this piece in which Beethoven displays his genius for improvisation. Equally virtuosic, Après une lecture du Dante: Fantasia quasi Sonata is Liszt’s monumental reimagining of the descent into Hell in the Divine Comedy. In this through-composed work, the Hungarian composer makes abundant use of the tritone (the famous diabolus in musica) and of dazzling octaves. Without an interval, Ziyu Shao moves on to Scriabin’s Fantasy where complex hand-crossings and wide left-hand stretches abound, before ending his recital with Pletnev’s arrangement of The Sleeping Beauty, in which the keyboard alone conjures up Tchaikovsky’s orchestra.