KHATIA BUNIATISHVILI
Khatia Buniatishvili is the diva of the piano. She returns to Verbier for the third summer running with a generous programme devoted to moonlight (Beethoven, Debussy), romantic passion (Schumann, Brahms) and the waltz (Chopin, Ravel).
Programme
LUDWIG VAN BEETHOVEN (1770-1827)
Piano Sonata No. 14 in C-sharp minor Op. 27 No. 2 “Moonlight”
ROBERT SCHUMANN (1810-1856)
Fantasy in C major Op. 17
JOHANNES BRAHMS (1833-1897)
Intermezzo in B minor Op. 119 No. 1
FRÉDÉRIC CHOPIN (1810-1849)
Scherzo No. 1 in B minor Op. 20
Ballade No. 1 in G minor Op. 23
Waltz in C-sharp minor Op. 64 No. 2
CLAUDE DEBUSSY (1862-1918)
Clair de lune from Suite bergamasque
MAURICE RAVEL (1875-1937)
La Valse
Concert without interval
Khatia Buniatishvili plays Chopin: Polonaise No.6 In A-Flat, Op.53 “Heroic” at Verbier Festival
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Few of Beethoven’s works enjoy such renown as the Sonata No. 14 ‘Moonlight’. In truth, the nickname is apocryphal and reflects the period’s taste for Romantic moonlight. Intensely poetic, the opening Adagio sostenuto is one of the most famous pages in the piano repertoire. Legend has it that the German composer was inspired by a brief and unhappy romance with one of his pupils. In the same way, vehement and passionate, the Fantasie in C major is a cry of love addressed to Clara Wieck, then kept apart from Schumann by her father’s opposition. With its autumnal colouring, the sublime Intermezzo Op. 119 stands finally as a more private expression of the affection that Brahms also felt for Clara Schumann.
While Debussy’s Clair de lune extends the evening’s theme beautifully, Khatia Buniatishvili also offers a fine bouquet of works by Chopin (notably the epic Ballade No. 1) before ending her recital with Ravel’s breathtaking La Valse, a violent denunciation of the carnage of the First World War.